8/9/2023 0 Comments Deep space nine ferengiThey are not the unsung heroes of these stories. Even in their most influential moments, whether suggesting minefield blockades or springing rebels from prison, the Ferengi are wild cards. They have generally been tricksters, characters who offer a wry commentary on the grand narrative arcs of the larger Star Trek franchise. However, the Ferengi have never been heroes. They even get the first hints of the forthcoming Breen alliance in The Magnificent Ferengi. The Ferengi make first contact with the Dominion in Rules of Acquisition and The Jem’Hadar. Quark can recognise the erosion of Federation ideals under pressure in The Siege of AR-558. Quark understands (and is entirely comfortable with) the kinds of moral compromises that Sisko has to make in In the Pale Moonlight. Quark explains the Federation as intergalactic root beer in The Way of the Warrior. It is Nog who joins Starfleet in Heart of Stone.įrom their unique vantage point, the Ferengi seem to see truths about the universe. It was Rom who set up the minefield in Call to Arms and who sabotaged the weapons in Sacrifice of Angels. As The Magnificent Ferengi points out, it was Quark who freed the captive resistance in Sacrifice of Angels, which allowed Sisko to retake the station. Rom is perhaps the most innocent character in the entire cast. The other characters might be skeptical of Quark, but the character has his own moral compass. However, this flawed nature makes the Ferengi more heroic in a way. They were already a joke by the time Behr joined the series, serving as gag villains in The Price and Ménage à Troi. However, they were an immediate flop, appearing sporadically as unconvincing antagonists in early episodes like The Battle or Peak Performance. They had been hinted at in Encounter at Farpoint and introduced in The Last Outpost as iconic new adversaries for the crew of the Enterprise. He also loved writing for Quark Babel, Little Green Men, The Ascent.īehr’s commitment to the Ferengi was striking, particularly since they had effectively been written off in the later seasons of Star Trek: The Next Generation. Behr made sure that each season of the show contained at least one episode focusing on Ferengi culture and traditions, many written by Behr and his writing partner Rules of Acquisition, Family Business, Bar Association, Ferengi Love Songs. He wrote two tie-in books centred on the culture, The Rules of Acquisition and Legends of the Ferengi. His second teleplay credit on the show was The Nagus. However, Behr invested a lot of time an energy in developing the Ferengi as a credible culture. However, Behr is also responsible for some of the weirder episodes Prophet Motive, Through the Looking Glass, Shattered Mirror. As showrunner, Behr’s name is attached to most of the “big” episodes like season premieres and finales and epic two-parters The Jem’Hadar, The Adversary, The Way of the Warrior, Broken Link, Apocalypse Rising, In Purgatory’s Shadow, By Inferno’s Light, Call to Arms, A Time to Stand, Favour the Bold, Sacrifice of Angels. It is interesting to look at Behr’s script credits on Deep Space Nine. These aspects of Deep Space Nine are undoubtedly important and influential, but they are not the only contributions made by showrunner Ira Steven Behr. Most discussions of Deep Space Nine tend to focus on the bolder and more iconoclastic elements of the series, whether the needling of Gene Roddenberry’s utopia in episodes like The Maquis, Part I and The Maquis, Part II or the more experimental narrative choices like the long-form storytelling that led to the Dominion War. Ira Steven Behr was a producer with esoteric interests.
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